In the process of thinking I had to come back to the beginning of my research. My research began with American Pop art and my interest for the fine arts began when I saw Roy Lichtensten´s Whaam! painting in some art magazine or a book. Printed on the size of the regular comic frame, even with the size written underneath the print, what I saw were just comics being recognized as fine art. One year later, I applied to Academy of Fine Arts, Sarajevo. In the final year, I was able to research Pop art more actively and one thing led to another, and I ended up researching Ukiyo-e.
But what about Pop art and Lichtenstein and Ukiyo-e?
Lichtenstein’s work could be also perceived as Appropriation art, for its source comes from another visual medium. On the other hand, my art is mostly Appropriation art, and it usually deals with question of the copy and original. For example, all “original” subjects of my paintings are known to me through their printed or digital copies. I could only imagine their size, their colors, or their texture and surface relief. So my painting is alternative to original and in most cases it is alternated original. So if I say that Ukiyo-e is Pop art, am I not saying that Pop art is Ukiyo-e? And welcome to the birth of Utamaro Lichtenstein. It is a series of paintings that have source in Lichtenstein work, but they will be Japanized, as if Lichtenstein himself was Japanese, and we are all living in alternative universe where Eastern hemisphere and arts dominated over the Western. I chose name Utamaro, as it is one of the most mentioned artist who influenced Impressionism and I added Lichtenstein as in Ukiyo-e practice for artist to adopt family name of his school master. Painting will be comment to more contemporary subjects. As in early translations of Mangas (Japanese comics), where pages were mirrored to allow more left to right reading flow, all paintings will be mirrored to achieve right to left flow. All paintings will be signed as Utamaro Lichtenstein.