This series of kacho-e
(pictures of birds, flowers and insects) is inspired by Japanese cel animation and tradition of omocha-e
) / tatebanko
. Recently I have experienced a joy of painting on plexiglass surface and this very much reminded me of transferring drawing on animation cel and coloring it. When I received a set of cels from anime in 2016, I almost had a chance to make a composition of 3 layers of cels from Arcadia of My Youth: Endless Orbit SSX
, but two got stuck together, and I couldn´t separate them without damage. I wanted to experiment a little bit with PVC cel. The second source of influence comes from tatebanko (ancient setting), 2.5D paper craft diorama, that originally comes from omocha-e (paper toy for children), that could be a print of board game to diorama setting – kumiage-e, popular in late Edo period. Kumiage-e (building up pictures) is ukiyo-e print that was sold as a set for diorama of kabuki scene and they originated from paper crafted scenes for kabuki theatre and toy theatre. Tatebanko is quite popular in Japan, and the scenes can be either very easy to build (featuring characters like Hello Kitty-chan), to really complex dioramas of buildings and houses.
The name I chose for this series is the Bosnian word krletka that comes from Proto-Slavic klětь which has a meaning of a place where you house or hold animals – could be a cage, a basket, a barn or a part of house. I apologies to Japanese people and other Asian countries who will have a hard time pronouncing this word, but I wanted to avoid using word cage (like bird cage) for in this series I wanted to capture but not to cage and imprison. As for the source, I will use kacho-e prints with my interpretations of flowers, birds and insects.